The Lego Movie  (2014)    70/100

Rating :   70/100                                                                     100 Min        U

Lego, one of the most enduring and popular toys of the last century (the name comes from the Danish ‘leg godt’ meaning ‘play well’) took a surprisingly long time to bring itself onto the big-screen given the success of the Transformers franchise and the completely unmerited monetary haul of the G.I. Joe films. Here everything, not surprisingly, is made from Lego and all digitally mastered together into a traditional tale of the underdog, Emmet Brickowski (Chris Pratt) – an unexceptional everyday Lego worker with no friends to speak of but who never has a bad word to say about anybody, who must realise his own potential and learn how to help others do the same (with the help of the Master Builders, who can creatively construct things from Lego without using a rulebook, don’t you know) all to undermine the dastardly plans of PRESIDENT BUSINESS (Will Ferrell) who can’t stand all those pesky Master Builders ruining his otherwise regimented and ordered Lego universe. But does Emmet have what it takes?

Initially the story and comedy value are a little flat, and a little predictable, and songs like ‘Everything is Awesome’ (the only song in this incidentally, it’s not a musical) are a little grating, but then … it becomes catchy! And the bland component parts eventually become endearing, partly due to an array of likeable characters, such as Batman (Will Arnett), Bad Cop/Good Cop (Liam Neeson) and Unikitty (Alison Brie), the leader of Cloud Cuckoo Land, domain of rainbows and puppies, who variously becomes Biznesskitty and Iwillripyourfuckingfaceoffifyoudothatagainkitty. Along with everything, she too, is awesome. Overall, it’s a fun trip guaranteed to spike sales of Lego and with a good message at it’s heart of creative self expression and the importance of appreciating this as a universal concept.

Walking with Dinosaurs 3D  (2013)    43/100

Rating :   43/100                                                                       87 Min        U

A big budget animation based on the BBC documentary series ‘Walking with Dinosaurs’ which aired in the late nineties. This was financed by both the BBC and independent investors in the states and so all the main characters have American accents, with Justin Long being the biggest name to lend his talents to the voiceover work. We follow the adventures of two young brother dinosaurs, two Pachyrhinosaurus to be exact, as they mature from following the herd to leading it. The animated work is very good and everything looks slick and realistic enough, with Alaska and New Zealand providing visually splendorous backdrops (in fact the same mountain that can be seen in the Desolation of Smaug review also features here), but the story is simply terrible. Early on the two bros witness their father being torn to shreds, and then an instant later they’ve forgotten about it and they continue on regardless – in fact they assume their mother has met a similar fate, they don’t actually bother to try and find out.

They become part of a particularly lame love triangle which attempts to be both part of the animal kingdom and also relate to human relationships, with the potential conclusion being that the alpha male will get the woman who will bow down to him even though she thinks he’s a moron, and the way to counter this is to attempt to beat him to a pulp – and if that fails wait until hopefully someone else does it for you. It does tell you the name of each of the species that they encounter and what the name means which is nice – the bad guys are the gorgosaurus, which translates as ‘fierce lizard’, and also lends more depth to Lena Headey’s sexy queen Gorgo in ‘300’ (06).

Frozen  (2013)    85/100

Rating :   85/100                       Treasure Chest                     108 Min        PG

A dazzling, emotional and thoroughly entertaining Disney animated musical that takes the studio back to the work of Hans Christian Andersen with a tale loosely based on his ‘The Snow Queen’, and this is every bit as good as their previous reworking of his ‘The Little Mermaid’ back in 1989. Two new princesses get added to the canon of Disney hotties as we are introduced to Anna (Kristen Bell), a playful redhead full of energy, and Elsa (Idina Menzel), the elder of the two but who, as she ages, sees her mysterious powers to shape ice grow, effectively becoming a Nordic version of Doctor Manhattan and a danger to everyone she loves. But will she turn to the Disney dark side and kill everyone whilst laughing maniacally? That is, indeed, the question.

Actually, a number of tropes are wisely turned on their head here, and the company have made sure to fill the movie with their trademark wit and intelligence to allow all members of the family to enjoy it. The contrasting voices of the two sisters, with both lead actresses doing all their own singing, works really well, and a number of the songs are delivered with memorable gusto and power. The animation is simply terrific, making the snowy landscape look wonderfully crystalline and at the same time inviting with their choices of rich, decorative and intrinsically beautiful colour schemes. One of the main scenes doesn’t work quite as well as intended, but this slight hiccup doesn’t prevent the film from being great from start to finish. It’s simply the perfect Christmas film.

There is a small post credits scene – the wait is a long one, but if you stay, look out for the brief note regarding one of the characters right at the end.

Quotes

“I want you to take me up the North Mountain…. I’ll rephrase that. Take me up the North Mountain!.” Kristen Bell/Anna

Free Birds  (2013)    20/100

Rating :   20/100                                                                       91 Min        U

Slapstick animated comedy about turkeys = listening to Owen Wilson squawk pointlessly for ninety one minutes as his stupid blue Turkey is smacked in the face by every person and object he encounters. Don’t watch this.

Cloudy with a Chance of Meatballs 2  (2013)    73/100

Rating :   73/100                                                                       95 Min        U

The sequel to 2009’s ‘Cloudy with a Chance of Meatballs’ which despite very much flying under the radar was a really great film, making it onto several lists of the ‘top 50 animations of all time’ I’ve seen published since (like this one). The next instalment begins with the clean up operation of central character Flint Lockwood’s home island, after the inventor last time around peppered the area with super sized food dripping from the heavens courtesy of one of his more bananas, and yet genius, schemes (thus the title, and his pearing up with saucy meteorologist Sam Sparks). Enter traditional bad guy and cereal capitalist Chester V who intends to use Flint’s invention to steak a claim on his own evil food bar empire – all via the Foodbar 8.0, the only problem is he was Flint’s childhood inventing idol when he was growing up, will that boyish admiration be left in tatters?

Chester and his company Live Corp are a not too subtle parody of Apple (and the latte Steve Jobs, who also co-founded animation giant Pixar {Cloudy is from Sony Pictures Animation}) – which not only fits thematically but is arguably comedic with shadier undertones for a company currantly sandwiched between tax avoidance scandals and a price rigging pickle, not to mention their support for SOPA and PIPA… All satire aside though, Chester is one of the weaker ingredients in the film, and he comes across as fairly creepy – more akin to something out of South Park than the loveable creatures Cloudy normally serves up. Indeed, the visual richness and appeal of the animation, and the filmmakers sense of humour, is really where these films stand out – the creation at Live Corp of a zero emission car that runs on ‘cute’, for example, and the shot of the tank being opened up to uncover a cuddly sort of kitten squashed into it – but full of beans and happily purring away, its huge eyes gazing lovingly up at the driver. Nice.

Despite Chester V, Flint becoming a little too weak for a central character, and an over reliance on monkey jokes via his close friend Steve (who is indeed a monkey) eventually the film comes into its own with a wonderful story arc that sees all the food from the previous film literally come to life Jurassic Park style, allowing the animators to really put their creativity to the test – generating a visual feast for the eyes. Flint returns to the island to get to the root of the problem, along with several of the characters from the first film – his father, Sam Sparks, Manny, Brent and of course Steve, but on their adventure they encounter a new companion, Barry, the next stage in culinary evolution (pictured above, with their first meeting below) who turns out to be one of the best helpings of the series, and I think I speak for all the adults in the audience when I say – I WANT A MOTHER FUCKING TALKING STRAWBERRY THAT HIDES IN MY BACKPACK AND SAYS ‘MOOOOOOO?’!!!

Despite the film’s early weaknesses and the slight leekage of interest, I’d still fallen in love with it come the end, and judging by all the young sprouts in the audience running around dancing at the end credits, they relished it even more than I did. Bill Hader stars as Flint, with Anna Farris (who sizzles perfectly in the role) as Sparks, and James Caan, Will Forte, Andy Samberg, Ben jam in Bratt, Terry Crews (replacing Mr Tea) and Neil Patrick Harris rounding out the rest of the support. There is a brief post credits scene too. Mooooooooo?

Turbo  (2013)    63/100

Rating :   63/100                                                                       96 Min        U

For youngsters, the smooth graphics, rich voice cast, and traditional tale of the underdog realising his dreams through determination and self belief will probably make this quite an enjoyable experience – for adult viewers it’s a little too simplistic and flat to really engage with.

Theo (Ryan Reynolds) and Chet (Paul Giamatti) are ordinary garden snails, ordinary, that is, except for Theo’s ambition to one day race in the Indy 500. Fortune smiles on the intrepid young mollusk when a freak accident effectively turns him into a miniature F1 car, allowing him the chance to fight for what he’s always wanted. With Samuel L. Jackson, Michael Peña, Luis Guzmán, Bill Hader, Snoop Dogg, Maya Rudolph, Richard Jenkins, Ken Jeong and Michelle Rodriguez in support, and an upcoming spin-off children’s TV series on Netflix due at the end of this year.

Justin and the Knights of Valour  (2013)    70/100

Rating :   70/100                                                                       90 Min        PG

A fairytale adventure story aimed at a young audience, but one that should still be fun and likeable for adults too. Justin lives in a medieval village where valorous knights have been banished from the realm thanks to a draconian series of bureaucratic laws, largely instigated by his lawmaker father and aimed at creating a more civilised kingdom, but in reality ruining everyone’s lives. Rather like living in modern day Britain. As it turns out, heroism runs in Justin’s veins as his grandfather was one of the bravest knights of all, and despite his father’s wishes that he enter into the law profession himself, he instead sets out to fulfill his childhood dream of becoming a knight and to perhaps win the affections of the local rich hottie in the process. On the way he will encounter villains and feisty barmaids, dour Scottish sword masters and war game playing monks and ultimately his faith in fighting for what is right will be put to the test. It’s a Spanish film (in English), indeed it opens with ‘Antonio Banderas presents’, with a pretty sterling voice cast including Banderas himself, Freddie Highmore, Saoirse Ronan, Mark Strong, James Cosmo, Alfred Molina and Julie Walters to name but a few. The animation is warm and has a unique feel to it, although the human faces look somewhat blood drained at times, and notwithstanding a few slightly irritating character moments, it’s a nice film. Should be fine for young children due to the lack of any real blood letting despite all the sword play. There’s also a nod to mechanical owl friend/pest Bubo in ‘Clash of the Titans’ (81) – but why just a nod? They should have recreated the entire character – who doesn’t want to go adventuring with a fully functioning owl automaton?

Renaissance  (2006)    61/100

Rating :   61/100                                                                     105 Min        15

The most striking aspect of this animation is its austere use of black and white contrasts, which initially made it a little painful to watch (lights had to be turned off as a necessity) but come the end I was thoroughly enjoying its unique style. If you were to imagine a beautifully inked noir graphic novel suddenly come to life as a series of moving pictures before you, this is exactly what you would see. The title refers to the literal meaning of the French word, rebirth, and the story takes place in Paris in the year 2054, where we see a young woman being kidnapped and a hard boiled cop enjoined to track her down.

Daniel Craig voices the lead, and as always with animation there is the inherent distraction of time spent thinking ‘I know that voice! Who is it, hmm…’ and the satisfaction of finally getting there (or the irritation of not), to help everyone along, there is a connection linking the hero to the villain, and again from the villain to the guy in the middle. The plot revolves around the disappearance of the girl and the cosmetics company she works for, unfolding in very traditional film noir style. Enter the role of the disappeared’s sister, and the worst elements of the film are revealed, as suddenly both the dialogue and its delivery, along with the concepts, nose dive into a corny and ill developed pastiche of the genre.

It’s not gripping, but it does have a lot of credible artistry to it. Fans of different styles of animation (a combination of motion capture and 3D computer graphics were used here) will probably get more out of it than followers of film noir will, but it’s probably still worth a look in for both.

Planes  (2013)    50/100

Rating :   50/100                                                                       91 Min        U

DO NOT GO AND SEE THIS FILM. Not unless, that is, you are aware of what it actually is. Disney have rather cynically released this knowing that people will assume it is another release from Disney Pixar, and whilst it is a spin off from their ‘Cars’ (06) film line, it is actually a creation of DisneyToon Studios, a wing of the Disney machine that normally produces straight to DVD releases. The only reason this has a theatrical release is the money they intend to make from the little trick they’re playing on the public.

The story is about as basic and rudimental as it can be – Dusty Crophopper is a crop duster who dreams of competing with the fastest planes around in a global competitive speed race, but will he overcome his own limitations and the laughter of his peers to realise his ambition? Will he indeed. For older audiences there is absolutely nothing here of any interest value. The animation is slick, and for the people it was made for, young kids, it may well be completely fine – in fact it may make a welcome change to see a Disney film aimed especially for them on the big screen. For everyone else, best give it a wide berth.

Monsters University  (2013)    79/100

Rating :   79/100                                                                     104 Min        U

Pixar show once again that they, together with their Disney partners/owners, are in a league of their own when it comes to animation that will appeal to all audiences, regardless of age. This is a prequel to their successful 4th film Monsters Inc (2001) and tells the tale of how the two central characters Mike (Billy Crystal) and Sullivan (John Goodman) originally came to meet at the titular Monsters University (M.U.), and their challenge to prove themselves worthy enough to compete with the scariest monsters around.

The rendering work looks superb, and overall the story is engaging and inspiring, with the raft of interesting secondary characters that we’ve come to expect. Voice support comes from the likes of Steve Buscemi and Helen Mirren and as always a cameo from the company’s good luck totem, John Ratzenberger. There is a brief after credits scene, though you do have to wait a pretty long time to get to it ….