I’m more than a little surprised by how good this is. It begins having to deal with the remnants of the especially deplorable melodrama left over from part one, but when it eventually gets going it begins to fire off with some really terrific special effects and production design, coupled with suspenseful direction that begins to introduce cross-genre elements, with scenes that feel very much like a part of the ‘Alien’ franchise, and, most importantly, really good writing that delivers an extremely fitting and poignant end to the series, one that at times had been dipping into repetition and seeming to rather meander along to a foregone conclusion.
Jennifer Lawrence is once again the central focus with her choice weapon of bow and arrow, equipped here with pyrotechnic arrowheads, as she leads her own personal thrust against the considerable military prowess of The Capitol, whilst the troops of the rebellion amass for the final push against their oppressors and their devilishly silken ways. Speaking of which, the images of Lawrence draped in fiery red combat gear plastered all over the advertising posters in fact depict something which is never shown in the film, a shame but since it would effectively be painting a large target all over her you can see why it wasn’t featured.
Lawrence has been captivating from the onset and she continues in the same vein for the finale here, although her character Katniss does seem to have a few iffy moments which somewhat go against the grain – such as blaming herself for her entourage’s current predicament when it’s blatantly not her fault, probably not putting her unit at great ease there, and not anticipating fairly obvious things, like being searched at checkpoints and so forth. All performers return from the previous instalments, including Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Julianne Moore, Natalie Dormer and the late Philip Seymour Hoffman in his last ever film role, and for anyone put off by the last film, as I was, don’t let it prevent you from seeing Suzanne Collins’s trilogy finish on considerably more memorable form.