M. Night Shyamalan writes, directs and produces his attempt at the handheld horror genre with occasional success, as Becca (Olivia DeJonge) and Tyler (Ed Oxenbould) are shunted off to visit their grandparents (Deanna Dunagan and Peter McRobbie) in their mother’s home town – minus the mother (Kathryn Hahn) though as she apparently did something heinous to them when she ran off with their father, who eventually ran off with someone else and hasn’t been seen since. The only problem is the grandparents are psychos and scare the living shit out of the kids, who are then determined to find out exactly what their mother did to them that was so bad.
In essence, Shyamalan has principally written a decent story, if not a screenplay, for the film but the delivery lacks any real tension – the kids are by turns likeable, and we see the after-effects of their parents divorce on them psychologically which was a rare nice touch for the genre, but then they are also really irritating; Tyler, for example, tries his hand at rapping and he’s no good, to put it lightly, but there are nonetheless three lengthy takes of him giving it a go. Perhaps worst of all, the film’s climactic moment is delivered with no real force whatsoever all but ruining it, and, well, it’s sandwiched between a lot of nonsense in terms of the regular scares together with the mere occasional moment of amusement, as the film continually threatens to ramp up both the comedy and the horror, and then simply doesn’t. Shyamalan reportedly had a lot of trouble editing the film as the final product kept flitting radically between genres – kind of suggests he didn’t really know what he was trying to do in the first place though …