Side Effects  (2013)    74/100

Rating :   74/100                                                                     106 Min        15

Rooney Mara stars as Emily Taylor, a sufferer of depression after husband Martin, played by Channing Tatum, is sent to jail for insider trading. The film opens with his release and we see Emily dealing with the consequences of the whole ordeal, and also the possible side effects of the anti-depressant drugs she has been prescribed with as increasingly erratic behaviour develops. Jude Law and Catherine Zeta-Jones play her current and former psychiatrists respectively, and we are treated to a developing mystery and an insight into the pharmaceutical industry. Compelling, well paced and well acted, ‘Side Effects’ is a pleasure to watch.

Sadly it is set to be the last film from director Steven Soderbergh (‘Traffic’, ‘Oceans 11-13’, ‘Haywire’) as he has stated he has had enough of studio interference with his work and is switching to television instead. Given most of his films remain very good, it would be interesting to see what they may have been like without this suggested creative meddling. Far from the first director to bemoan the power of producers, surely he has had enough success and made enough high profile friends, George Clooney for example, that he could afford to finance a film or two of his own, even if they were smaller scale ones? Woody Allen famously was so irate at the direction the producers took with his first movie that he vowed to never again work on anything where he didn’t have complete creative control, and he has since enjoyed decades of critical and commercial success doing just that. Come on Soderbergh, don’t give in just yet…..

See the TED talk below and the following link for some topical, and very important, insights on the potential dangers of prescription drugs.
http://www.bbc.co.uk/news/health-20497086

Midnight Express  (1978)    74/100

Rating :  74/100                                                                      121 Min        18

Possibly Alan Parker’s most famous film, the true story of William Hayes who tries to smuggle some hashish for his friends back home in the States from Turkey in 1970 and, well, he doesn’t make it. The screenplay won Oliver Stone an Oscar for 1978 and for the first half the film holds your interest whilst remaining nothing special. There’s even a decidedly odd homoerotic moment that stands out completely askew from the rest of the narrative as Parker fumbles his opportunity to show the gay relationship that Hayes actually did engage with, but throughout the film the Turkish characters and Parker’s decision not to translate what they are saying proves to be one of the more interesting elements. It helps create the sense of complete alienation that the main character feels, and each of the Turkish actors seem to have so much individual character of their own it’s almost like a sci-fi (Stone has since apologised for his overwhelmingly negative depiction of all the Turks in the film). The use of sound, particularly of a heart racing, works quite well here too.

Prison films are a staple of cinema and sadly how good they are can sometimes be marked by how harrowing and brutal the portrayal of the experience, as well as how much we identify with the character’s struggle. ‘The Shawshank Redemption’ (94) regularly and deservedly features on many people’s ‘best films ever’ list, but worth also checking out is the classic ‘Kiss of the Spider Woman’ (85) and the recent British film ‘Offender’ (12). Here there is no disappointment in the drama stakes as the hellish downfall of reality for the main character continues to gather pace. Brad Davis plays the lead, with Randy Quaid and John Hurt for company. A fairly shocking insight into the Turkish legal system of the 70’s, a country that, prior to the credit crunch of 2007 and the resultant financial crisis, was desperate to join the European Union and was repeatedly met with concerns over not just its geographical position straddling the political divide between Europe and the Middle East, but also over its constant alleged, and widespread, human rights abuses.