Cloudy with a Chance of Meatballs 2  (2013)    73/100

Rating :   73/100                                                                       95 Min        U

The sequel to 2009’s ‘Cloudy with a Chance of Meatballs’ which despite very much flying under the radar was a really great film, making it onto several lists of the ‘top 50 animations of all time’ I’ve seen published since (like this one). The next instalment begins with the clean up operation of central character Flint Lockwood’s home island, after the inventor last time around peppered the area with super sized food dripping from the heavens courtesy of one of his more bananas, and yet genius, schemes (thus the title, and his pearing up with saucy meteorologist Sam Sparks). Enter traditional bad guy and cereal capitalist Chester V who intends to use Flint’s invention to steak a claim on his own evil food bar empire – all via the Foodbar 8.0, the only problem is he was Flint’s childhood inventing idol when he was growing up, will that boyish admiration be left in tatters?

Chester and his company Live Corp are a not too subtle parody of Apple (and the latte Steve Jobs, who also co-founded animation giant Pixar {Cloudy is from Sony Pictures Animation}) – which not only fits thematically but is arguably comedic with shadier undertones for a company currantly sandwiched between tax avoidance scandals and a price rigging pickle, not to mention their support for SOPA and PIPA… All satire aside though, Chester is one of the weaker ingredients in the film, and he comes across as fairly creepy – more akin to something out of South Park than the loveable creatures Cloudy normally serves up. Indeed, the visual richness and appeal of the animation, and the filmmakers sense of humour, is really where these films stand out – the creation at Live Corp of a zero emission car that runs on ‘cute’, for example, and the shot of the tank being opened up to uncover a cuddly sort of kitten squashed into it – but full of beans and happily purring away, its huge eyes gazing lovingly up at the driver. Nice.

Despite Chester V, Flint becoming a little too weak for a central character, and an over reliance on monkey jokes via his close friend Steve (who is indeed a monkey) eventually the film comes into its own with a wonderful story arc that sees all the food from the previous film literally come to life Jurassic Park style, allowing the animators to really put their creativity to the test – generating a visual feast for the eyes. Flint returns to the island to get to the root of the problem, along with several of the characters from the first film – his father, Sam Sparks, Manny, Brent and of course Steve, but on their adventure they encounter a new companion, Barry, the next stage in culinary evolution (pictured above, with their first meeting below) who turns out to be one of the best helpings of the series, and I think I speak for all the adults in the audience when I say – I WANT A MOTHER FUCKING TALKING STRAWBERRY THAT HIDES IN MY BACKPACK AND SAYS ‘MOOOOOOO?’!!!

Despite the film’s early weaknesses and the slight leekage of interest, I’d still fallen in love with it come the end, and judging by all the young sprouts in the audience running around dancing at the end credits, they relished it even more than I did. Bill Hader stars as Flint, with Anna Farris (who sizzles perfectly in the role) as Sparks, and James Caan, Will Forte, Andy Samberg, Ben jam in Bratt, Terry Crews (replacing Mr Tea) and Neil Patrick Harris rounding out the rest of the support. There is a brief post credits scene too. Mooooooooo?

Captain Phillips  (2013)    73/100

Rating :   73/100                                                                     134 Min        12A

Tom Hanks stars as the eponymous captain Richard Phillips in this based on real events thriller, set in the waters off the horn of Africa as his large cargo vessel is beset by Somali pirates. The events took place in 2009, and although the film is engrossing and recommendable with a good leading performance from Hanks, much controversy has been caused by the depiction of his heroic efforts in the movie. In real life the captain seems to have a lot of questions to answer – with various crew members, who are suing the company they worked for, claiming he had something of a death wish, didn’t try to hide the crew as shown in the film, and sailed the ship unnecessarily close, in the region of three hundred kilometers too close, to the Somali coastline despite knowledge of several attacks on cargo vessels in the three weeks prior to their voyage.

Notwithstanding this disappointing information the film is still definitely worth a look in with a realistic and sustained feeling of suspense throughout – and the brave efforts of chief engineer Mike Perry are related to us just as they occurred in real life. With Hanks’ domineering popularity with movie goers and industry insiders alike (he was recently voted America’s most trustworthy person) perhaps together with the misfortune of being recently diagnosed with diabetes, it is quite likely this will garner him another Academy Award nomination next year. One by no means undeserved. From director Paul Greengrass (‘The Bourne Supremacy’ 04, ‘The Bourne Ultimatum’ 07, ‘Green Zone’ 10).

Filth  (2013)    73/100

Rating :   73/100                                                                       97 Min        18

Great film. James McAvoy gives a commanding turn, arguably his finest performance to date, as Bruce Robertson the Edinburgh copper with ‘issues’ in Jon S. Baird’s interpretation of Irvine Welsh’s novel. Filmed in Scotland’s capital this is replete with all the drugs, violence, corruption and black humour/foul language one expects from Welsh’s writing, as we become engaged in Bruce’s struggle to obtain, by any means possible, the promotion at work against his rival colleagues, amongst them Jamie Bell and Imogen Poots, whilst also wondering exactly what is going on regarding his relationship with his wife (Shauna Macdonald). Eddie Marsan, Jim Broadbent, Kate Dickie and Martin Compston round out the more familiar faces in the cast, and everyone is good in this throughout as the story keeps us guessing, and often laughing, from start to finish. Oscar nod for McAvoy? For The Red Dragon, he and Michael Douglas, in ‘Behind the Candelabra‘, have given the two most memorable male performances of the year so far …

We’re the Millers  (2013)    73/100

Rating :   73/100                                                                     110 Min        15

Surprising enjoyable. As this is a light hearted comedy film we know exactly where it’s heading – its success is that we are quite happy for it to do so. Jason Sudeikis is a small time drug dealer who falls into debt with a bigger fish in his regional pond. To make amends he agrees to drive down to Mexico and collect a new shipment of Marijuana, and to facilitate the operation he decides to bring along a collection of people to pose as his family ‘The Millers’, people who are, for a variety of reasons, all at loose ends. The fake family are rounded out by Jennifer Aniston as the mom, and Emma Roberts and Will Poulter as the two kids.

Drawing quite a bit of attention from the trailers, something which they cunningly focused on, is Aniston’s character’s occupation, that of a nightclub stripper, suggesting her acting career may be continuing along the path begun with her more sexualised role in ‘Horrible Boses’ (11), and here the film lives up to expectations, with a lithe and salacious Aniston brazenly giving a show in itself more erotic than the whole of ‘Showgirls’ (95) taken together, and yet it never feels overtly gratuitous, in a sort of Megan Fox ‘Transformers : Revenge of the Fallen’ (09) kind of way, and she simultaneously maintains the spirit of most of her romcom characters as well.

The film provides a few genuine laughs, but scores highest with it’s enjoyable character dynamic, with some obvious improv and in the case of Will Poulter it features a rare cinematic moment when you are not only happy for the character, but also very much for the actor playing them too (you’ll see what I mean).

What Maisie Knew  (2012)    73/100

Rating :   73/100                                                                       99 Min        15

Emotional tearjerker based on the Henry James novel of the same name, focusing on the breakdown of a marriage and the effects for the young innocent girl, Maisie, caught in the middle of it. Julianne Moore and Steve Coogan play the self absorbed parents who’s priorities primarily lie with their careers, that of an ageing rock star for Moore, and a travelling arts dealer for Coogan, and although initially the mother comes off as by far the worse of the two, by the end of the film you will pretty much hate the pair of them.

Enter two young adults in the life of the child, one her regular and somewhat traditional ‘hot babysitter’ played by Scottish newcomer Joanna Vanderham, and the other a handsome male boy toy for the mother in the shape of Alexander Skarsgård, both of whom fall in love with Maisie but are also caught in the venomous crossfire of the separation. The film is well shot and well acted throughout, including by young Onata Aprile who plays Miasie, a performance accentuated by the single tear that she sheds after effectively being abandoned by everyone she loves. A great film, and one which thankfully has the kindness and affection of non family members to balance out the lack of care from those who should know better, suggesting that blood isn’t necessarily always thicker than water.

Chasing Mavericks  (2012)    73/100

Rating : 73/100                                                                       116 Min        PG

Gerard Butler stars in this ‘Karate Kid’ esque (both also star Elisabeth Shue, coincidentally) true story about how one man’s lifelong love of surfing helps inspire a similar desire in his young neighbour, Jay Moriarity, whom he reluctantly takes on as his protege in order to train him to tackle the giant, dangerous waves at the North California location of Mavericks, waves that have claimed the lives of some of the biggest names in surfing and are formed by an unusual rock formation under the water (the name comes from that of the dog who accompanied the location’s founding surfers). The film does stray dangerously close to Nicholas Sparks level melodrama, with the small town, the small town bully, the small town cute girl the protagonist wants to get with, and the ever present danger of the waves, but it eventually sidesteps this dead end territory and fleshes out as a pretty decent drama.

Newcomer Jonny Weston does a good job as the wave hungry Jay, and the film’s visuals of the surfing, and the fact that it’s a true story, are its biggest strengths, with the waves at the end looking sufficiently catastrophic – projecting surfing as at once deadly (Butler himself almost drowned and was hospitalised whilst filming after a succession of waves pulled him under for forty seconds), and a lot of fun. Co-helmed by respected directors Michael Apted (‘Gorillas in the Mist’ 88) and Curtis Hanson (‘L.A. Confidential’ 97), the shoot was difficult and dangerous, going on for a lot longer than expected thanks to bad luck with the weather – all the surfers featured, bar the two leads, are professionals.

Have a peek at the interview below with Butler and Weston, with one of them constantly interrupting the other …

This Is the End  (2013)    73/100

Rating :   73/100                                                                     107 Min        15

The latest offering from the new wave of comedy writers, actors and directors that have dominated Hollywood for the last few years, this time all playing parodies of themselves. Jay Baruchel meets up with his old comedy buddy Seth Rogen (they are both Canadian) and they all go to the number one party hangout in L.A. – James Franco’s house. Jay wonders how close he and Rogen really are anymore, but before he can find answers to this and other quasi-existential problems, disaster strikes. An actual disaster, that is, with earthquakes galore and a hefty mortality rate, and North America’s funniest are forced to band together in an effort to survive.

Initially, the first thing that comes to mind in the opening quarter is ‘Shaun of the Dead’ (04), with the mixture of comedy and bloody violence that we are greeted with. Given the team behind that zombie-comedy hit have their new film coming out in a matter of weeks, and that it’s called ‘The World’s End’ with the definite appearance from the trailer of a doomsday scenario, it hardly seems like a coincidence. First out of the blocks then, how does this one perform? Well, once it gets going it’s not long before it establishes its own voice, and it becomes a lot of fun, with good performances from everyone and some nice cameos from the likes of Emma Watson and Michael Cera, and indeed a certain famous band from the nineties, along with a fantastic appearance from Channing Tatum.

Look forward to gory, sweary violence, and, well, everything else you might expect to find at a party held at James Franco’s humble abode….

Epic  (2013)    73/100

Rating :   73/100                                                                     102 Min        U

Initially, this shapes up to be a very clichéd and obvious animation with little to nothing of interest for adult viewers, and with far too many parallels with Disney’s ‘Tinkerbell and the Secret of the Wings’ for its own good. However, after the swishing and swooshings of its stereotypical young hero have faded, together with the setting up of the equally stereotypical motivations for the other characters, it actually becomes a lot of fun – and at least one adult felt the need to give it a quick, slightly self conscious, burst of applause at the end, which The Red Dragon endorsed in spirit if not quite in action.

The story revolves around the Leaf Men, tiny humanoids that move incredibly fast to the human eye (faeries for all intents and purposes) who are charged with safeguarding the natural environment of the forest against their enemies, the Boggans, who thrive on darkness and death, and who seek to prevent the Leaf Men from selecting their new queen who would use her powers against them for another generation. Enter cute redhead human Mary Katherine (voiced by Amanda Seyfried) whose mother has just passed away and is now forced to live with her estranged father in the forest, estranged due to his obsession with finding evidence of the Leaf Men’s existence. One quirk of fate later, and MK finds herself shrunk down to, ironically, not so epic proportions and entering the miniature world for herself, as the future of that world hangs in the balance.

It’s from Blue Sky Studios and based on the writing of Louisianian author William Joyce, a fairly prolific creative talent who’s previous adaptations for the big screen include Disney’s ‘Meet the Robinsons’ and Dreamwork’s ‘Rise of the Guardians’, and who won the Oscar for best animated short film, along with Brandon Oldenburg, in 2012 for ‘The Fantastic Flying Books of Mr. Morris Lessmore’. The writing helps immeasurably, with a decent amount of comedy in there, and the animation for the most part appears lively and slick, which, together with the combined voice talents of the cast including Colin Farrell, relaxing into his natural Irish brogue, Christoph Waltz, as the bad guy, Josh Hutcherson, Chris O’Dowd, and big names from the world of music in the guise of Beyonce, Steven Tyler and, in his first big-screen role, Pitbull, ensures everything is brought to life successfully, creating an enjoyable film that should suit families and grown ups alike.

Flight  (2012)    73/100

Rating :   73/100                                                                     138 Min        15

‘Flight’ is the latest film from Robert Zemeckis (‘Back to the Future’ 85, ‘Forrest Gump’ 94, ‘Beowulf’) and it’s a very good piece to come back with after a few years break from filmmaking, seeing both writer John Gatins and leading man Denzel Washington up for Academy Awards. The story was inspired by the real life tragedy of Alaska Airlines Flight 261, and revolves around pilot Whip Whitaker, played by Washington, having to come to terms with his alcohol and drug dependency. His performance and the story are both compelling, but one of the supporting characters we are introduced to seems to get over their own struggle with addiction remarkably easily, though it could be argued the contrast with Whitaker is what allows this to happen.

Zemeckis is also guilty of the curious misuse of The Rolling Stones in the film (or more correctly, their music) as they are at one point seemingly put at odds with the general tone of the rest of the film. Overall though, this deserves the praise it has received, and puts Denzel right up there in the Oscars race, which shouldn’t detract from the good acting support from Don Cheadle, Bruce Greenwood, Kelly Reilly, and John Goodman. Don’t watch before you go on holiday – though if you really want to scare yourself see  2011’s ‘The Grey’.

Jack Reacher  (2012)    73/100

Rating :   73/100                                                                     130 Min        15

Tom Cruise stars as the titular character in this detective style thriller: a highly decorated ex-military drifter mysteriously called in to help solve a high profile, brutal crime at the bequest of one of the suspects. The character is the central one in a whole line of novels by British writer Lee Child (real name, Jim Grant), and this is his first venture onto the big-screen, courtesy of screenwriter and director Christopher McQuarrie (winner of the best original screenplay Oscar for 1995’s ‘The Usual Suspects’), and, based on the success of this, it’s likely not to be his last. The film stays satisfyingly true to the genre whilst at the same time turning a number of clichés on their head, often to comical effect. All of the cast are good, from the very beautiful Rosamund Pike as the defence attorney working with Reacher, to renowned auteur Werner Herzog (‘Aguirre, Wrath of God’ 72, ‘Stroszek’ 77, ‘Rescue Dawn’ 06, ‘Bad Lieutenant : Port of Call New Orleans’ 09) as one of the bad guys, and a smaller role for Robert Duvall. It’s a little obvious what’s going on, but at the same time not everything is put on display and Reacher’s sarcastic wit is pleasant countermeasure to the ruthlessness of his enemies.


Quotes

“You think I’m a hero? I am not a hero. I’m a drifter with nothing to lose. You killed that girl to put me in a frame. I mean to beat you to death, and drink your blood from a boot. Now this is how it’s going to work, you’re going to give me the address and I’ll be along when I am damn good and ready, if she doesn’t answer the phone when I call this number, if I even think you’ve hurt her, I disappear. And if you’re smart that scares you. Because I’m in your blind spot. And I have nothing better to do.”   Tom Cruise/Jack Reacher