Rating : 55/100 131 Min 
Tom Hardy plays both Ronnie and Reggie Kray, the infamous London gangsters who terrorised the city throughout the fifties and sixties, in a film that is about as unreal a historical depiction as you can imagine. The whole movie has a strong comic vibe to it, feeling primarily like an excuse for Hardy to show off artistically, and indeed it works better in this sense than in any other – partly because laughs were written into it but unfortunately also because there are numerous moments when it just feels a bit silly watching Hardy beat-up on himself. ‘The Double‘ was much more successful in putting the same actor onscreen as multiple characters – here Ronnie is depicted as a schizophrenic lunatic with a love for anarchy and violence, with Reggie as the more respectable and intelligent but an equal in terms of his propensity for bloodied destruction.
Emily Browning is a highlight as Frances Shea, Reggie’s lover, and Hardy skilfully creates numerous indelible moments but writer and director Brian Helgeland (here adapting the works of the man the Krays’ hired to immortalise them in print – John Pearson) takes the conspicuous easy road too frequently – often the face of one Kray is in shot whilst the back of the other is in the foreground etc., and indeed, despite several gory, brutal and menacing scenes, he has managed to more or less write out the entirety of the Krays’ criminal misdeeds, they’ve become ‘Ronnie and Reggie’ from down the pub and the only people we see suffering are those personally involved with them rather than the innumerable innocents concerned – all leaving the whole thing feeling about as realistic as an episode of ‘Eastenders’.
