Four uninteresting and largely fake characters engage in relationships with one another and we are unfortunate enough to be taken along for the ride, with as many potential hooks for the filmmaker’s target demographic as possible and almost no real relevance featured at any point. We see, for example, one of the females enraged at her male partner for staying out all night drinking with his friends as she is now left by herself to prepare lunch for people coming over, except she could’ve woken him up at any point, and then during lunch she casually lights up a joint in the kitchen whilst still bitching about her man. The four poor actors who at least refuse to throw in the towel throughout are Kevin Hart, Michael Ealy, Regina Hall and Joy Bryant, and I think they may have managed at least one laugh in there at some point, but the sort of laugh that never really makes it to the surface you’re so completely bored by the rest of it. Based on the 1974 play ‘Sexual Perversity in Chicago’ by David Mamet, and previously directed on film by Edward Zwick back in 1986.