Mary and Max  (2009)    75/100

Rating :   75/100                                                                  92 Min           12A

This is a wonderful animation based on a real life pen pal relationship between Australian youngster Mary (she is about eight years old when she first writes to a random person in New York) and forty-four-year-old asperger’s syndrome sufferer Max (the random person). An unlikely bond forms between them; as Mary’s bullying at school and the neglect of her parents strikes a chord with Max’s chronic isolation and difficulty with relating to the world. Their relationship continues over the years and becomes one of the most defining aspects of each of their lives.

It’s beautifully told – the artwork manages to be unique, somewhat warped, and yet stops just short enough of being grotesque to pull off endearing. And the voice work from Phillip Seymour Hoffman as Max and both Bethany Whitmore and Toni Collette as Mary is just perfect. Be warned though, the film is sad from the beginning right through to the end.

Season of the Witch (2011)    59/100

Rating :   59/100                                                                     95 Min         15

When I watched this on the big screen I quite enjoyed it, despite its several faults – watching it again on the small screen it was a little more disappointing, although to be fair knowing what’s going to happen is undoubtedly partly responsible for that. Nicolas Cage stars as Behmen, the honourable knight who has turned his back on the church and the bloodshed of the crusades, and finds himself tasked with delivering a young girl to a monastery where she is to answer to the charge of witchcraft, and for being responsible for unleashing a deadly plague upon the land. The film is clear from the beginning that witches are a very real problem for the forces of good on the Earth – could the innocent looking girl be one of them?

Claire Foy as ‘The Girl’ is one of the best things about the movie, and wondering exactly what is going on with her is quite fun. Indeed, there is a strong vein of tongue-in-cheekness to the film – such as the opening montage with Cage and sword-wielding buddy Ron Pearlman (playing the equally honourable and disillusioned Felson) hacking their way through hundreds of enemy troops, standing out against ropey CGI backgrounds throughout, whilst they ribald each other over who’s going to buy who the drinks after the slaughter. Some of the dialogue is equally hammy, but if you happen to be in the mood for some fantasy fare and don’t have high expectations, then this will probably still entertain.