The Unbeatables / Metegol  (2013)    53/100

Rating :   53/100                                                                       97 Min        U

Animated tale featuring a foosball table whose players all come to life in order to help their owner, Amadeo (Rupert Grint), defeat his town’s returning tyrant who is desperate for vengeance after Amadeo beat him at the table when they were kids, the only time he was ever beaten at anything, and despite becoming a real life international football star he hasn’t been able to come to terms with the humiliation ever since. This is an Argentinian film that has been dubbed in English and bizarrely, the people in charge of doing the English language version have taken the opportunity to play politics by making the winning foosball team English, with a few foreign players, and the side that is always beaten (Amadeo has never lost a game and seems to always play the same side – one could be forgiven for thinking the table was rigged) is entirely comprised of Scotsmen as far as we can tell. The English captain suggests that they have to work as one and are stronger together, which couldn’t be more obviously referencing the upcoming independence referendum next month, and the heavy suggestion that ‘we are better together because you are shite by yourself’ is unlikely to have the desired effect on voters. Why even go there? They could easily have mixed up the nationalities and kept this ‘better together’ theme going, and their direct referencing is surely going to fly over the heads of their young target audience anyway.

It reminds me of a perfectly pleasant and thought provoking debate on the matter I had with a young gentleman from England in the pub the other day, pleasant, that is, until he put his hands on his hips and triumphantly declared ‘And we both know who gets the most money out of the union,’ he smirked, ‘Scotland, haw haw’. Needless to say he wasn’t looking so pleased with himself when I burned him alive and scattered his ashes around Edinburgh Castle. I mean, it’s possible he’s right – but that’s the point, no one really does seem to know for sure.

As a worthy aside since the film attempts to also dis Scotland’s footballing credentials, England’s media love to laboriously mention they won the World Cup in 1966 (although many of you might have picked up on how little they mentioned that fact during this year’s Brazilian tournament – this is a direct result of the looming vote), but they are less inclined to remind people that during the following British Home Championship it was Scotland that was the first to beat that very same team. Nor were they terribly happy when we beat them at the last ever international to be played at the old Wembley Stadium, in fact they were so miffed they fudged in another international to avoid the humiliation (which they also lost anyway, one nil to Germany). Indeed, the Unofficial Football World Cup actually has Scotland sitting at the top of the all time rankings table, and England’s worst home defeat ever was to Scotland, 6 – 1 way back in 1881.

Although it is fair to say Scottish football at this precise moment in time leaves a lot to be desired. Personally, The Red Dragon thinks they should ban foreign players and managers and just focus on the game for the people of the country – levelling the playing field, increasing domestic support and promoting home talent until we have a decent international team again, get rid of the reliance on business and money and focus on the game. They should promote women’s football as much as the men’s too – it’s just as good, in fact they should have a friendly between the two national teams every year.

Anyway, back to the film – you can often tell the quality of the animation you’re dealing with by looking at how well they render the humans, and here that quality is definitely running at a minimum. The foosball players look much better, but backgrounds and secondary characters are predominantly basic and sometimes even garish, although the creative camera flourishes of director Juan José Campanella do occasionally shine through (Campanella directed best foreign film Oscar winner ‘The Secrets in their Eyes’ 09). The story plods on uninterestingly until the finale is set up – an actual football game between the residents of the town against villain Flash (Anthony Head) and his professional teammates. A match which is to decide the fate of the town, and one that is oddly not as one sided as the recent Germany vs Brazil semi-final. Here the film picks up and delivers a rewarding ending, but there’s not much of value in the rest of the movie, and the animated players spend most of the time just trying to find each other before giving a prep talk to Amadeo, ultimately not doing a great deal over the course of the film.

The Inbetweeners 2  (2014)    55/100

Rating :   55/100                                                                       96 Min        15

The sequel to 2011’s ‘The Inbetweeners Movie’, itself based on the eponymous and successful TV show, showing the exploits of four English teenagers – predominantly as they busy themselves trying to get laid. Alas, the one or two episodes of the series that I’ve seen were both funnier than this, as was the first movie, with the film trying too hard and aiming to up the level of crassness in the hope that the comedy value will rise in direct proportion, and although you probably will laugh occasionally, it’s likely you’ll cringe twice as often as everything starts to feel more and more like creative desperation.

The acting from the central players is fine though, with the return of all four main characters: Will, Jay, Simon and Neil (Simon Bird, James Buckley, Joe Thomas and Blake Harrison respectively) and support from Emily Berrington and Tamla Kari, as the foursome travel Australia whilst on break from work and uni, their ensuing encounters playing heavily on the cliché of wanky travellers trying to find themselves but essentially just trying to get laid like they are, but with precious little made of the abundant natural landscapes around them, focusing more on dull, small scale sets and interactions.

One of the few moments worthy of note features a mirage of a lake whilst they are in the Outback, which is taken at face value by the recipient stating if he was imagining things he’d be seeing something amazing, like Optimus Prime banging Katy Perry. Ironically, this is exactly what that franchise needs. Imagine Prime, in his gravelly voice … ‘Autobots. Even though they still hunt us after we saved their world four times, we will not abandon Earth. Instead, we will now mate with the humans in order to preserve our species and theirs. I must lay with their female leader, Katy Perry, Bumblebee you will seduce their Decepticon puppet, Miley Cyrus, by letting her twerk over your gear stick. The fate of our world, and theirs, depends on it.’ Hasbro could develop a whole new line of toys …

The Nut Job  (2014)    63/100

Rating :   63/100                                                                       85 Min        U

Not sure if ‘The Nut Job’ is really a suitable title for a kids film, but nonetheless it refers to the antics of various squirrels and woodland creatures living in a park in the middle of fictional Oakton City as they try to secure winter food for themselves by stealing nuts from a nearby shop, the owners of which are themselves using this as a cover whilst they try to dig a tunnel under the bank across the street. The animation is essentially quite good and the voice acting from the likes of Will Arnett, Brendan Fraser, Katherine Heigl and Liam Neeson is fine, with the film playing out rather like an extended version of an episode of ‘Tom and Jerry’ as the story is primarily delivered via an endless series of chase sequences. There is a slightly questionable good guy/bad guy set up as the hero, Surly (Arnett), is mainly concerned with gathering food for himself and ultimately he is vindicated in this (although he of course ends up helping everyone else and realising the errors of his selfish ways), as the powers that be, the evil Raccoon (Neeson) and his ‘angry bird’ clone henchman, turn out to be hoarding food to control the masses rather than to make sure they are all well fed. Should entertain children, but might struggle to ever become a family favourite.

Planes : Fire & Rescue  (2014)    70/100

Rating :   70/100                                                                       83 Min        U

Following up on the financial, if not critical, success of Planes, the Disney machine have realised they have a new potential franchise on their hands and have put more effort into this one – resulting in a much better story than before, though it’s still released by DisneyToon Studios who are relatively new at producing theatrical films and not straight to DVD sequels. Again aimed at a young family audience, parents might nevertheless find it quite enjoyable, despite being lighter on the occasional subterfuge of adult comedy compared to most of Disney’s output. The graphics are top notch as one would expect, but probably its biggest boon is the introduction of some solid voice acting from the likes of Ed Harris and Wes Studi, and a screenplay that deviates, thankfully, from regurgitating another race related contrivance and instead sees primary hero Dusty Crophopper (Dane Cook) effectively disabled at the beginning, forcing him to consider a change of career.

The somewhat antiquated fire department at his local airport provides him with the inspiration he needs to come to terms with his injury (his gearbox can’t handle really high speeds and conks out) as the popular terminal faces being shut down unless they can upgrade it, and thus he enlists for fire and rescue training (crop dusters were actually some of the first planes modified and used for fire fighting in the 1950s) introducing a raft of new characters, predominantly more interesting ones than in the original, and a new primary location. It’s a polished and morally strong animation for kids, with occasional moments of unexpected class, like the rescue team talking about how thunder and lightning can start forest fires as they are summoned to put one out, and then AC/DC’s ‘Thunderstruck’ playing as we watch them do just that, slightly à la ‘Iron Man 2’ (10) – although Marvel are actually owned by Disney, and indeed what is alluded to right at the end of ‘Guardians of the Galaxy‘ also manages to sneak its way into a scene here ….

Step Up 5 Million : All In  (2014)    47/100

Rating :   47/100                                                                     112 Min        12

Ok, so this is Step Up 5 (aka Step Up : All In) not five million, but really it’s so formulaic and derivative of its predecessors that they could rinse and repeat and get up to that number without any real effort. It has been billed as the film reuniting cast members from the other films, but what they really mean is that Moose (Adam Sevani) and Andie (Briana Evigan) are back in it – there is no Channing Tatum, for example, and although a few other semi familiar faces appear they, just as before, receive so little character development and so few lines that they might as well be new blood for all anyone is likely to care. The acting is terrible, and the screenwriting is offensive to writers everywhere, with possibly the worst element being lead male character Sean (Ryan Guzman), who does return from the previous film but who seems to have retained none of the life lessons he bored us with last time, managing to be both an indistinguishable carbon copy of all the leading male characters in the franchise as well as the least likeable of the lot.

The dancing, at least, is for the most part very good and has been well choreographed, but even the biggest fans of the series are going to struggle sitting through the garbage comprising eighty percent of the film to get to it. The story is the usual ‘some crew will try to bond in order to win a dance competition against the bad guys and the hot leads will fall for one another, even though one of these leads did the same thing a few films ago and that didn’t seem to work out too well for her and the other one would clearly rather make love to himself’ – eighty percent dancing with twenty percent story would have been far better. Evigan is by literal leaps and bounds the best thing about the film – and indeed it wasn’t until I sat and tried to remember the other four films that I realised her shaking her ass in ‘Step Up 2 : The Streets’ (08) is pretty much the only thing I remember about any of them. Bring on ‘Step Up 6 : All Out’, when Andie tires of male dancers breaking her heart and must now seduce the hottest girl in town through erotic, sweaty street dance – the girl is tempted, but what will her Republican Senator daddy who’s about to fund the state ballet have to say ..?? Only Moose knows …