Delivery Man  (2013)    70/100

Rating :   70/100                                                                     105 Min        12A

I actually rate this as one of Vince Vaughn’s best films (I am very surprised by this, for all kinds of reasons, the trailer being just one of them). He plays the central character of David, who is a bit of a screw up and finds out his girlfriend is pregnant but that she would rather raise the child by herself than remain with him – about the same time he is confronted with the fact that he is additionally the father of many hundreds of other children due to a mix up at a sperm bank he donated to in his youth; hundreds and hundreds of times. Not quite sure how to deal with this, he decides to secretly spy on some of his now adult children and get to know them a little, and what ensues is actually a fairly touching and slightly redemptive story, despite the potential for a mass scale Greek tragedy, with little dashes of comedy thrown in here and there. It’s directed by Ken Scott and is a remake of his previous film ‘Starbuck’, which is also the name David went by when he performed his services for the sperm bank.

Mandela : Long Walk to Freedom  (2013)    70/100

Rating :   70/100                                                                     141 Min        12A

This is a very, very powerful and commanding turn from Idris Elba as Nelson Mandela, replete with a convincing accent, as we watch his life story unfold before us from lawyer to civil rights activist, then rebel, to the long imprisoned leader who would eventually become one of the most influential men of the 20th century and lead South Africa away from racial violence toward forgiveness and a way forward. There is a lot to fit in, and the film does a good job with both the pace and what to put emphasis on, and as well as Nelson in the limelight we also see the changes over time that his wife Winnie Madikizela-Mandela goes through, played onscreen by Naomie Harris. Overall quite an emotive and important film, if perhaps a little straight forward – it doesn’t invite the audience to explore the issues at hand in quite the same way that ’12 Years a Slave’ does, for example.

This seems to be a very faithful adaptation of Mandela’s autobiography and sadly shortly after its release the man himself passed away, aged 95. Indeed, the news broke as the film was having its London premier, and a special announcement was made at the end of the film. Elba could very well have earned himself an Academy Award nomination for this, and probably the only reason he hasn’t is simply the large abundance of really great performances in the male lead category for 2013, but this role, and being able to say “Today, we are cancelling the apocalypse!” in ‘Pacific Rim’, as well as reprising his enigmatic part of Heimdall in ‘Thor : The Dark World’ marked an especially awesome year for him.

Last Vegas  (2013)    66/100

Rating :   66/100                                                                     105 Min        12A

The story is achingly lame, and yet the acting makes it not only palatable but also reasonably enjoyable. Billy, Paddy, Archie and Sam (Michael Douglas, Robert De Niro, Morgan Freeman and Kevin Kline respectively) have been friends since they were kids, now Billy is finally tying the knot with a young hottie half his age and he wants his friends with him for his bachelor party in Vegas, only a seemingly impassable rift between he and Paddy will have to be crossed first – and so the other two simply trick Paddy into turning up.

Enter the very fine and sultry looking Diana (Mary Steenburgen) into the equation and old rivalries are renewed, and past secrets ousted, with Douglas and De Niro primarily signed up for the drama, and Kline and Freeman the comedy. One of the most striking things about the movie is just how tall Freeman is compared to Douglas and De Niro – he towers at least half a head over the pair of them. The fact that this is one of the most memorable things about the movie probably gives you some indication of the level of comedy involved, but it is nevertheless a likeable, decent film.

Look out for the involuntary leg shake from De Niro when the four of them get to rate a series of bikini clad nubile young girls. It’s good to see the ‘Method’ is still going strong …

The Secret Life of Walter Mitty  (2013)    71/100

Rating :   71/100                                                                     114 Min        PG

The second cinematic adaptation of James Thurber’s 1939 short story (the first was in 1947 with Danny Kaye as Mitty) this time starring and directed by Ben Stiller as the titular central character. Stiller excels at playing the sympathetic everyman, and never has he been more successful at doing so than here, as we see our hero to be daydreaming about winning the girl of his dreams (we see these phases of zoning out as over the top action sequences that he plays out in his head) whilst he remains quiet and somewhat under the radar, dutifully adherent to his routine job and routine lifestyle, until one day adventurer and photographer Sean Penn inadvertently sends him on a trip that’s a million miles (well, not quite a million) outside of his comfort zone.

It’s a feel-good film that really works, as Mitty rediscovers a sense of joie de vivre whilst we learn more about his character and backstory. It ebbs and flows, as the real world quenches his new found optimism when he returns from his first adventure, but ultimately there is a real sense of cathartic satisfaction from this film, and the wonderful location shots of Iceland are enough to make anyone want to do a spot of travelling. With Kristen Wiig and Adam Scott.

Paranormal Activity : The Marked Ones  (2014)    43/100

Rating :   43/100                                                                       84 Min        15

Grooooooan. Yet another stale and regurgitated horror film from Blum Productions in the Paranormal Activity series, this time swapping surveillance cameras for handheld ones and revolving around the story arc of certain people being chosen for demonic possession by a coven of Satan worshippers and dark magic practitioners. The cameras are held by three friends, one of whom has been chosen to have his brain turned to mush by a demon, but not before he subjects us to terrible camera work and predictable jump moments. There’s a semblance of a story, but not much else going on here.