Dead Man Down  (2013)    60/100

Rating :   60/100                                                                     118 Min        15

There is a lot of promise shown throughout this film, almost like a shadow haunting it as it fights to try and conform to humdrum banality, a fight that it disappointingly wins. Colin Farrell is a member of Terrence Howard’s gang of miscreants, but someone is out to sever the leader’s head, someone who keeps sending clues to his identity, mysterious notes, and a trail of criminal corpses. Enter the girl, not quite next door, but across the chasm between their high rise buildings, played by Noomi Rapace, who has evidently been checking out Farrell through the window in unguarded moments and eventually plucks up the courage to introduce herself, but she has a story of her own too.

The central focus of this film is revenge, and it almost deals with it in a serious manner, but it winds unerringly down into pointless cliché. Rapace gives a strongly believable performance – we are told her character has had part of her face rebuilt after a car crash, and there is certainly a very visible scar, only it’s really not that extreme for the sort of surgery she’s describing, she still looks good really, and one can’t help but feel that it could possibly be concealed with make-up if she so chose. A more original, tougher treatment with the same cast could have been something more worthwhile watching.

All Stars  (2013)    75/100

Rating :   75/100                                                                     106 Min        U

Great wee film for kids, essentially with exactly the same premise from the ‘Step Up’ and ‘Streetdance’ films lifted and placed into a British high school. The most important thing about the film is that it successfully encourages kids to dance, so much so that most of the younger audience in the cinema were in fact doing just that whilst it was playing. The focus is on choreographed street dance, or break dancing if you prefer, with brief excerpts from ballroom and tap too.

The group consist of a number of stereotypes, the posh kids, the tough as nails female, the chubby male, but ones which work pretty well together, with everyone learning the value of being in a group working towards something, as they come together to compete in a local championship that may perhaps just save their youth centre from demolition in the process, and the chubby kid learns to swap his burgers for salad too, although since he’s suddenly upped his calorie needs this may be wishful thinking on his part.

All of the young budding actors could easily see themselves in film again with some pretty talented dancing in there, and Fleur Houdijk in particular demonstrates a precocious onscreen presence. One of the main story arcs deserves to be criticised though, with the parents of one of the kids demanding he give up dancing so he can study – surely it ought to be quite possible to do both?